Why you need to care about narrative

I created Go Narrative based on a passion for helping others lead fulling lives and run successful businesses fueled by the power of the modern narrative.

"I got this" I hear you cry "Isn't this just storytelling?"

No it's not.

Storytelling has been all the rage in marketing over the past five years. Narrative takes it further. It is the application of storytelling for impact.

For example, hi-tech needs well-crafted narratives. Why? There is much competition, and noise. Customers are fickle in the age of the cloud. Creating a sticky customer journey requires engaging, intentional engagement.

Most people don't know how to decode a business problem and recode it into a story. Let alone a collection of narratives across multiple products, markets, channels and customer journeys. 

Why is designing narratives hard?

How can something which is so much a part of who we are (well said here by Story & Heart) be difficult to apply practically?

You get blinded by the details. You are juggling many components and are an expert in your business. The outcome of which is that you talk like an expert, you use TLAs and in-the-know jargon. You can't see the wood for the trees. The result? You lose people.

Case study: The climate change expert. This article from 1998 does a great job of experts speaking to experts. Does it get you to care? Probably not. You might not even understand some of the words being used "midtroposphere". WTF? On the other hand take a look at this article "why you need to care about climate change - now". How we talk about climate change has changed since 1998. The language is simple, human and resonates with something you care about (your safety). It's a micro-narrative that puts you at the center of the story. You care. You are moved to act. 

"Around the world, scientists are tracking storms that are bigger, heat that is more intense and droughts that last longer."

Stories are exciting! They have the power to change us when told in a compelling way, using the right narrative for the desired outcome.

Start with your story, identify your audience, channel and objectives. Then build narratives that convey it in a simple way. Story is the who, what, how, when and where. It can be sliced and diced in many, many ways. How you tell it can affects outcome, as any liar will tell you.

Many Narratives

Take something we have all done, going on vacation. Think about your last one. Consider the planning, the journey, the experience at the destination and so forth. Did you have fun (I hope so)? Were you robbed (I hope not)! What did you learn, see, experience? You can tell a macro narrative of "the vacation". You can share how you were moved and changed by something you experienced (a sub narrative) or a lesson you learned in this different place (a micro-narrative). All of these sit in the storyscape of your vacation.

The same goes for your business and you are probably getting it wrong.

I'll end with some story-porn. I'm a sucker for a good film - in a five minute film you can land one narrative and open the imagination to many more.

As Story & Heart shared in the link above here is Blood & Oil by Cale Glendening. Enjoy!

Blood & Oil is a short film I have wanted to shoot for some time. It speaks to all avenues of passionate endeavors and the common thread of desire, determination and relentless pursuit it takes to see them through. That feeling that wakes you in the dead of night, the call to action that courses through your veins. It doesn't matter what you do or what your passion is, there is always room to be challenged, to grow, advance and to be more inspired. With that heart and intention, Blood & Oil is about wanting to create, be more awake and to be more alive. I have been lucky enough to both work and play with truly ambitious and talented people that push me more everyday, to those people I say a very special thank you. And I thank you for watching and to those who share this film. It was a very ambitious shooting schedule, we shot 16+ set ups in 9 locations in 3 days, not including the pick up/spontaneous shoot days. A behind the scenes blog is being posted on my website, with extra photos and extra footage! "The last of the embers cool in the waking dawn as the silence echoes through the empty roads and the beat of heavy hearts stir the morning air The wasteland smiles, a grin tired and stretched too thin Built on rotting soil the city starts to crack, the foundations perish and crumble Trapped and left wanting, the weary stay hidden behind heavy doors and rusted locks The undeserving cling to chances untaken There is no escape The darkness starts to build I welcome the storm with my fists clenched, the aching seething from my bones I cannot show you. I cannot take you with me The course is already written Moving in harmony, tracers strangle out the light The consumption of every movement greedy and unsatisfied From the wreckage the oil runs Turning the blood of the fallen thick and black Quiet is the pulse of the driven Freedom is not levity, but the untold fight of the knowing A force understood only by those who possess it Dare to look up Dare to breathe To trust the hopeful and stack your spine No need to call to the willing, they are already at your side No need to call them brothers, they already share your fire The crushing allure of pure acceleration Chase it down Chase it down" Produced, Directed and Edited : Cale Glendening Prose Writer : Chloé Mclennan Cast : Art Arcinas, Jiimmy Pruitt, Josh Orr, Caleb Owens, JT Daly, Paul Moak, Patrick Ryan, Robert Longhurst, Nick Georgiou, Tori Townsend, Vijay Upadhyaya, Rachel Haag, Yve Assad, Pap Shirock, Will Fulford, Cassie Locante, Allison Rusche, Jenna Lane, Blake Williams Director of Photography : Cale Glendening Original Music : JT Daly Sound Design & Final Mix : Defacto Sound 1st AD : Will Fulford 1st AC : Andrew White Color : John Carrington Narrator : Jeffrey Buckner Ford Music “The Blackest Bird” Performed by JT Daly & The Blood Orchestra The Blood Orchestra Is : Avery Bright, Zach Casebolt, Katelyn Westergard : Violins Emily Kohavi : Viola Austin Hoke & Emily Nelson : Cello and members of RAM Audio Engineers : Justin March, Devin Vaughan, Zack Zink Mixed By : Paul Moak at The Smoakstack (Nashville, TN) Post Production Supervisor : Chloé Mclennan BTS Photography : Yve Assad, Andrew White Rentals : TVC Nashville, ELITE Multimedia Special Thanks : Blackbirds Motorcycle Assembly Austin Mann, Jordan Bellamy, Moto Moda, Barista Parlor, The Fuselage, The Fort
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The human element